Small Conceits

Musings. Stories. Poems.


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The Crossing

Note: I originally published this as a series, without posting it to my social channels, for reasons of my own. It’s still out here as individual pieces, but I’m reposting as a single poem, to make it easier to read — a long scroll, rather than the need to find and click through each individual section. I’ve also made a few, small revisions for clarity’s sake.

A year ago tonight, as Coyote lay dying, I wrote scraps of poetry in the spaces between tending to her. I eventually strung those scraps together into one long poem in 10 sections, one for each year she lived with me. I’ll publish one every night for the next 10 days.

This is my small ceremony, marking her passing. It’s the part of the story I haven’t yet told: the strange journey of her last hours.


i – The Watchers

The Ancestors silently wait,

warming themselves in the silvery lights

of a thousand-thousand watch-fires

burning in the night sky —

beacons lit to guide you Home.

Each of your inhalations is a rattle,

a small ceremony in itself.

I count the spaces between them

and send the Watchers the only prayer that will take shape

in my grief-ravaged mind:

Be gentle. Carry this soul gently away.

 

ii – Fire Ceremony

For three days and three nights

I’d burned the spirit candle

afraid of missing the exact moment.

You lingered, long after the wick became ash.

On the last night, I scraped together the puddled wax,

collected it in a bowl and lit another candle beneath it.

I helplessly prayed that its drifting, perfumed smoke

would still mark the shining path for you.

 

iii – Visitation

You pant, releasing a savage cry,

a groaning howl that rakes my insides to shreds.

I can feel the Ancestors encircling us, crowding us.

Their patient silence is a curtain of darkness.

“Call her,” I plead in a whisper hoarse with crying.

“Her name is Coyote. Call her.”

We know her name, I hear as if in echo.

We know her name, and it is not the one you call her by.

Your gasping cry halts.

Your heart does not.

We are left wrapped in the heavy silence.

 

iv – Dead Air

A friend calls to check on us,

the question kind but exhausting.

“She’s dying,” I say, by way of an update.

I’ve been saying this for weeks now.

I’m not even sure

I know what it means.

 

v – Drum Ceremony

You struggle to be free. I am bitter.

We’d done everything we knew how to do —

opened the Portal for you

with drumming and song, hoping

you would cross quickly, easily.

We mortals with our pretty little faith,

I think darkly, bitterly.

All the while the skin stretches tightly

over the rabbit-like heartbeat

of our desperation.

I gasp; the shock of my blasphemy

leeches the bitterness from my body,

leaving only the desperation.

 

vi – Constancy

You exhale. There is a long pause.

My heart wrestles with guilty hope

and anguished fear.

A beat too long…and you inhale again.

Something breaks in me.

I want to shout at you:

“Let go, dammit! Let go, you stubborn dog!

Why are you torturing me like this?”

I stare at the phone, wanting to make the call

that will end it for you — for me.

Call, my breaking heart begs.

You promised, counters my soul.

I carefully curl around your failing body,

no strength left in my own,

no will left for the argument.

We continue on as we were —

you breathing and not-breathing;

me keeping watch —

my promise upheld

this time

by exhaustion.

 

vii – A Second Visitation

The groaning, barking cries start again.

I sob.

You have heard this sound before,

my dead grandfather whispers.

I raise my head, startled.

“It’s the sound of pain,” I rail at him aloud, my fists clenched

against the memory of his death.

It’s the sound of transition, he tells me gently.

I sink into a heap next to you,

stroking your soft fur, suddenly wondering

if every touch pulls you back,

holds you in stasis.

 

viii – Humility

I wad the towel in my hand.

It’s soaked through

with shit and piss

and green vomit.

I don’t even stand.

I throw it over the porch railing

listening for the weight of its splatter

as it lands on the ground near the bin.

I pause before unfolding myself

to bring fresh towels.

My hubris:

I believed the face of Death

would be familiar to me

simply because I had seen it before.

 

ix – Circle Dance

There’s nothing left to do.

I close my eyes

and turn my face to the Mother Moon,

shining straight-backed and pregnant with death

through the window in my living room.

I pick up my drum, and feel them take their places —

the Council of Ancient Women.

They weave a net out of strands of light

pulled through my skin, from the core of my soul

and begin entwining you in it.

There’s nothing left to do.

I pick up my drum

and dance.

 

x – Into the Light

I find you at first light,

your body stiff and cold —

spent —

your soul released.

And I realize:

For all my striving

all I ever had to do

was let you go.


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Present Tensed

A sweet, gentle rivulet of chiming

wakes me, my morning alarm.

The light is already late.

It creeps into the room,

hoping I won’t notice

the hour.

 

The warmth of the dog

seeps through my thin duvet,

contrasting the cold of the fan-driven air.

I turn and curl around him.

He stretches out along the length

of my body in dreamy response,

his velvety auburn head squirming its way

up onto my pillow

which always makes me chuckle,

in spite of my itchy eyes,

because he’s so sweet in his sleep.

 

A falling pig hickory shatters the quiet

like a gunshot on my roof.

Neither the dog nor I even flinch.

Years of autumns here

have made the sound familiar to us.

He yawns, rolls partway onto his back

and lazily waves a paw so I’ll

reach around and scratch his belly.

 

For so long

I was lost.

I was distracted by the false promise

of a life meted out in milliseconds

and measured in achievements.

I’ve bought into Work Ethic

and Productivity

and The Bottom Line.

I’ve aimed for The Future,

worshipped at the altar

of What’s Next.

 

And I sold it all.

I let it go for the peace of these mornings:

the sweet smell of warm fur,

the flimsy light of dawn gathering itself for breakfast,

the rude drumming of hickory nuts,

the insistent tinkling of my alarm,

 

the slow building of awakening

in the here,

the now.


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NaNoWriMo – Day 3

According to Chris Baty, Founder of NaNoWriMo, most Wrimos (the nickname for participants in National Novel Writing Month) hit the creative wall during the second week. After screaming through the first week, creative juices flying everywhere (I know: Ew.), it seems second-week Wrimos suddenly screech to a halt during Week 2. They see plot holes. Their characters refuse to develop beyond anything but fuzzy old Polaroid photos. They have no idea where to take the story next.

Or, if you’re me, it happens on Day 3.

OK, it wasn’t quite that bad. I mean, I did have what I’m affectionately calling the drunken Alanis scene (think: “You Oughtta Know”) between Jaqi and her ex-boyfriend to write. And I wrote it with great gusto, plunging in and letting Jaqi pour out her rage at Adam in all her drunken glory, with Demon (an internal demon who has somehow become an “outie” kind of demon) poking and prodding her and whipping her up into a fine frenzy before Adam delivers his final line and Jaqi passes out on the sidewalk.

I sat back. I stretched. I yawned. (This NaNoWriMo stuff requires later nights than I’m accustomed to!) And I did my word  count.

584 words.

Dammit.

I wasn’t even halfway to the recommended daily word count, much less to my personal word count goal for the day, in order to meet the 50,000 word requirement. I had two significant hurdles to cross.

Hurdle 1: All that pesky (but fruitful) dialogue

Now, I’ve already been plagued by the fact that my novel-in-training is mostly written as dialog, with little description. It was, after all, supposed to be a play script, not a novel, so the writing I’ve been doing in my head over this past year has been in scenes (e.g. the “drunken Alanis” scene; the why-the-heck-is-there-a-demon-in-my-apartment” scene). So dialogue is natural. And I’m pretty good at writing it because I sort of experience life as a series of scenes. Besides, a lot can be revealed through dialogue, which is why theater and film can make people laugh and cry and think. But a novel needs…more.

The problem with “more” — description, back story, character details — is that trying to insert it into my writing at this point would mean having to stop and think. Stopping and thinking defeats the purpose because it decreases word count. OK, it’s not all about the word count, but the word count is the tangible measure of novel-writing progress. The point of NaNoWriMo is getting the darned novel out of one’s head and into some kind of format to be read by other humans.

In No Plot, No Problem, Chris Baty offers this bit of advice: “[D]on’t worry too much about lending an enormous amount of realistic detail to the tale’s backdrop. In the same way that a theater set will use two or three potted trees to suggest a forest, so should you leave much of your setting to the reader’s imagination in the first draft.” Oooo! I thought. Advice with a theater spin, which is apparently both my curse and my “out” on this detail thing!

So, for the moment, dialogue is keeping me moving forward on my (very drafty) draft.

Hurdle 2: Now where did I put that plot?

So, now Jaqi is passed out on the sidewalk, where Adam has just left her, and I somehow have to explain how she gets home. This really isn’t something Demon can accomplish by itself because no one can see it, and a floating Jaqi would likely get her burned as a witch or something. I’m guessing most taxi drivers in this day and age would conveniently remember another fare in another city, rather than take responsibility for an unconscious woman, and I’m really not ready to have Jaqi spend a night in the drunk tank. So…now what?

I hadn’t actually planned on having Jaqi pass out. She just sort of did it. And that’s something else Baty predicts: Characters take on lives of their own and move the plot forward in surprising ways. He provides this little gem: “Just focus on creating vivid, enjoyable characters, and a plot will unfold naturally from their actions…and there’s something uniquely thrilling in that moment when you see them take charge.”

OK, I thought. Jaqi’s out cold, and Demon is more-or-less a figment of her imagination. Adam just drove off with his new girlfriend. Who’s left?

The valet, who happens to be dating a cabbie and who convinces his boyfriend he’ll clean out the cab should Jaqi barf all over it or something.

Tah-dah! Jaqi wakes up, safe and sound, with Demon tormenting her in her hung over state. Even better: The unexpected exchange between Jaqi and Demon opened the way for the first real conversation she and Demon have about her inability to stay in a relationship. Which is kind of the point of the story.

Characters took charge, and the plot moved on.

Oh, and my final word count for the day was over 1,800 words. Go me! (And The Demon Project cast.)

Day 4 dawns bright

Late tonight, I’ll plunk down in front of my laptop for Day 4 writing. I still have to get Jaqi through the weekend. She still has to have an uncomfortable scene with the Nice Guy, whom she stood up for coffee because she was too hung over. Her best friend needs to see the ruin that was once her apartment, and some backstory about their relationship would be helpful, since it will impact Jaqi’s relationship with Demon — and, frankly, everyone else. Tall order.

But I’m learning: Trust the process. Or, failing that, let my characters take charge.

writer-tools-luisllerena


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NaNoWriMo Eve

It’s Halloween. Children dress up and beg for candy. Parents snap photos like mad, posting to various social media sites. Costume parties belch odd beings onto the streets and into local pubs. It’s a strange and magical night.

And, for me, it’s somewhat terrifying. My fears stem, not from the ancient holiday itself with all its witches and ghosts and Old World implications, but from the fact that tonight is also NaNoWriMo Eve.

National Novel Writing Month, or NaNoWriMo, is a yearly event where hopeful, somewhat insane would-be novelists pledge to write 50,000 words — roughly the length of a short novel — during the month of November. I’ve paid it little attention over the years. I mean, I don’t even have time for my poetry, so the idea of writing a whole novel is ludicrous. Besides, what in the world would I write about? Sure, I have my funny little stories about my hiking adventures, my consulting work, and raising dogs. Facebook-worthy, to be sure, but enough to craft into a novel? Heck no. Novels need plots and characters and conflicts and resolutions. There are rules to follow, styles to master, research to be conducted, back stories to flesh out to make characters real.

So what am I doing signing up for NaNoWriMo 2016 and announcing to friends and family that I’m about to write a novel? Why am I copying invitations to both local and virtual Wrimo meetups and write-ins to my calendar? Why am I reading tips and tricks and planning suggestions — as though I actually thought this endeavor was achievable?

Because this is the Year of Trying Stuff. This is the Year of Daring Feats of Courage and Ridiculous, Death-Defying Antics. This is the Year of Getting Unstuck — or Bust.

None of it has been easy. Some of my attempts have been successful. Some of them have been rife with failure. Even now, the specter of Public Humiliation floats outside my door, grinning its evil grin and waving: “Soon you’ll be mine!” The goblins of my Inner Editors scamper about, sharpening their claws and growling with glee, anticipating shredding my self-confidence and crippling my storytelling. In my kitchen, a couple of gremlins are busy mixing the mortar they’ll use to build a wall of Writers Blocks for me to slam into (which previous participants predict will happen during week 2). It seems as though all my demons are coming out to play.

And that’s what my “starter novel” will be about: grappling with inner demons. Or, rather, one demon who goes from being an “innie” to becoming an “outie.”

I’ve temporarily titled it The Demon Project. The synopsis:

We all have demons. Some of them are just a bit…smellier than others.

When Jaqi is dumped by Adam, she thinks her life is over. She begins a slow spiral into a depression that affects her work, her friendships, and her personal hygiene. Then she wakes up one morning to find a Demon in her bedroom, and no amount of screaming, threatening, or cajoling will make it go away. As the demon settles comfortably into Jaqi’s daily routine (breaking things and generally causing trouble along the way), what at first seems like a nightmare to Jaqi slowly reveals itself to be an opportunity for spiritual growth, weight loss, and — ultimately — forgiveness.

If time permits, I’ll post about my experience here. (I make no promises.) Maybe I’ll even post excerpts. They’ll be the rough, unpolished, ungainly work one might expect of a first draft of a first novel. But, dammit, they’ll be somethingwhich will be better than the nothing I’ve been doing for decades.

Wish Jaqi and me luck. We have a lot of work to do these next 30 days.

Typewriter


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Bodhi TV

Bodhi: <from the dining room> “OHMYGODOHMYGODOHMYGOD!!!”

Me: <running to him, clutching my chest> *gasp* “What is it, Bodhi? Are you OK?…Oh, for the love…”

Rabbit: <outside the dining room door> “Huh. What a weird place to put a TV.” <sits down facing the door and nibbles a nearby weed>

Me: “…it’s a BUNNY! I thought the world was ending. You scared me half to death!”

Rabbit:  <perks up his ears and leans closer to the door> “It’s a show about rabbits! How cool is that?!”

Bodhi: “YOU HAVE TO LET ME OUT! I NEED TO CHASE IT AND EAT IT!”

Rabbit: <gasping> “It’s…it’s a horror show about rabbits!”

Me: “Stop shouting. And, no: I’m not letting you out.”

Rabbit: <sniffling> “My hero!”

Me: “While I understand that ground rabbit meat is on the menu, the stuff I feed you is farmed, not nasty wild rabbit — which is probably riddled with parasites and disease.”

Rabbit: <huffing> “Well! A horror show written by haters! Bad TV!” <hops off nonchalantly>

Bodhi: <wailing> “It got awaaaaayyyyy!!!”

Me: <looking out at the departing fluffy tail> “He doesn’t seem in any big hurry. What was he mumbling about out there, anyway? Pretty cocky, sitting that close to the door with you carrying on in here…”

Seriously. It just sat there, watching us through the glass and chewing a weed, while Bodhi barked his fool head off.  I might need to check out that weed…

Photo of little brown bunny

Image by David Solce: https://unsplash.com/@dlsolce


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Breathing In

She

     wears

          white,

one leg tucked beneath her,

chin resting on the bent knee of the other.

Her hands rest, one palm up

     to receive,

one palm down

     to give.

From her fingers flow

     ten

          rivers

               of calm.


Knowing is not all.

Understanding is not enough.

  Being

          is.

woman sitting cross-legged

photo courtesy of Imani Clovis via Unsplash


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Malus

crab apple

1.  any of various wild or cultivated trees (genus Malus) that are cultivars or relatives of the cultivated apple and that produce small sour fruit

 

Having characteristically not thought it
all the way through,
we had a house full of guests
and nowhere to be alone
the day we sprang our wedding
on our families.

Because we were living on my stipend
and whatever you bashfully collected
from carpentry and guitar repairs,
a few sympathetic dears
took up a collection
and sent us to a hotel for the night.

As we crossed the lawn to our rented room,
almost shyly holding hands,
you paused and cocked your head.
“It’s our wedding night,”
you murmured,”you should have flowers.”
And you reached up and broke a branch
from a flowering tree, laying it
tenderly in my hands
as your offering.

It was May
and the blooms were still sweet.

crabapple blossom


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Conversation before getting a massage. Except there was more laughing. 

Friend: “Wasn’t that tilapia the other night amazing?”

Me: “Oh, man! I couldn’t stop eating it.”

Friend: “I don’t know what they do to it. It’s like crack!”

Me: “Oh, I know what it is. It’s that damned brown butter. You could put that stuff on toe, and I’d be chowing down on it.”

Friend: “Did you just say ‘toe?'”

Me: “Yeah, I’d be all <nom-nom-nom>, and you’d be like, ‘What’s that?’ and I’d say, ‘Toe.’ and you’d go, ‘Ew!’ and I’d say, ‘Smothered in brown butter.’ and you’d go, ‘Can I have some?’ and I’d share my brown-butter toe with you. Because you’re my friend. And  I love you.”

Friend: <pause> “Where do you go…y’know…when that happens?”

Me: <thinking> “Not sure. But it’s not as far as you might think.”